There are a variety of ways to get a good music record deal. But, you have to put in a great deal of time and effort to be successful at landing one. Competition to get those music record deals are fierce though. Everybody “and their mama” want to become a big rock star, a rapper, or a famous country singer. Some of them are actually pretty good. And the record labels are flooded with requests, demos, and promotional packages from a lot of these people that are trying to get a music record deal. You will have to do whatever it takes to stand out among the sea of “wannabees” and gifted singers alike.
Make sure you got your stage performance and productions down packed before you even think about getting a music record deal. Work on your stage presence. Try to make it a habit of getting the crowd to participate in your performances. You can get them to clap, wave their hands from side to side, pump their fists, or “raise the roof”. It all depends on the mood of your music and the right timing. As you become more adept at doing this, you will discover that your growing number of fans will enjoy the charisma that you bring to the stage. They will be more excited about going to your shows and buying your music. This will increase your chances to getting a music record deal if record executive are in attendance when you perform in this manner. Also, make sure your music is professionally mastered and highly competitive.
Okay! Back to the question. What are the steps to getting a record deal? Well, these are some of the methods you need to know on how to get signed.
1. Promote yourself on the Internet. Set up a MySpace page and an official website of you or your band. You should definitely do this if you haven’t done so already. Provide a bio of yourself, a schedule of dates and places where you will be performing (if you have any gigs), and a few pictures in different settings. You should also set up a widget that will allow people to listen to some of your music. Once you have gotten all of that done, invite people to your website and MySpace page. MySpace is very convenient as it gives you the ability to grow a large list of friends that can become potential fans. You will probably find other people trying to land a music record deal just like you. Maybe you can collaborate or share knowledge to each other on the process of getting a music record deal.
2. Post on networking sites and music related forums. There are a variety of sites that you can post on that can create a buzz on what you are doing. You should join networking sites that cater to artists looking for a record deal. You can even join DJ sites and network with the DJs that play your kind of music. DJs play a very important role in your chances of getting a record deal. Experiment with as many sites as you can to see which ones give you the best results. You have Facebook, Twitter, My Page, and Ning just to name a few. My ultimate favorite is the Ning networking sites. This is a goldmine of many different forums that are available. Make sure you create and use a hyperlinked signature to link to your MySpace page or website with every discussion that you participate in. Doing this will increase the exposure and popularity of your name, MySpace page, and website. You will get better results if you post in the sites that cater to your particular genre of music.
3. Start booking performances. Look for talent shows and contests that you can enter. Blow your competition out of the water using the charisma that you have been perfecting over time. Show the audience you deserve to win and that you are worthy of a music record deal. Search for local venues and clubs that book local and unsigned artists. See if you can perform at those clubs for free. Book gigs at parties, weddings; anywhere that people will be able to hear your music. Get people to come to your show. Tell your family and relatives to come. Tell your friends. Tell your friends to tell their friends. Get the word out about your gigs. Word of mouth is very contagious if you’re a good performer. People will be proud to say, “I knew this person before he/she got a record deal”. Make sure you have some business cards and Cds to sell or give away.
4. Get some significant sells under your belt. This a very important step to getting a record deal. You should try to sell at least 10,000 to 15,000 units in order to get noticed by record labels. There are plenty of artists that got signed just because they sold around 15,000 Cds from the trunk of their car, at shows, or on the streets. They proved to the labels that they are marketable and have the potential to create wealth with their music. Selling 10,000-15,000 Cds or downloads would be in your best interest. This is how to get signed. Make sure your record sales are officially documented and your songs are copyrighted.
There is an e-book that you should check out that will greatly increase your chances of getting a good legitimate music record deal. This e-book is called, "The Easy Record Deal-The Ultimate Guide To Getting A Record Deal". It tells you everything you need to know and do in order to get a music record deal. It gives you thorough information on legal issues, contracts, how to correctly create your press kits, and much more. These are secrets straight from the record executives. By reading and applying the proven methods from The Easy Record Deal, you will be able to get ahead of the game. You will be more prepared than you're competition in landing that music record deal. To learn more about "The Easy Record Deal-The Ultimate guide to Getting A Record Deal", click here.
Keywords: record deal, music record deal, getting a record deal, the easy record deal, the ultimate guide to getting a record deal, landing a record deal,good music record deal, pursuing a music record deal, legitimate record deal
Saturday, May 9, 2009
Friday, May 1, 2009
What Are The Steps To Getting A Record Deal? Part II
After you have promoted yourself on the internet, performed in a few shows, and sold at least 15,000 units of your songs, there are additional steps that you should know on how to get signed.
5. Create a promotional Package or press kit. Make a brief, professional looking and very interesting bio about yourself. Write about what your goals are and what you can “bring to the table” of any record label that gives you the opportunity to get a music record deal. Add several pictures with the swagger of your type of music, a few business cards, and a copy of your best singles. Record executives will only listen to each song briefly, so make sure your songs have the potential to impress them during the first 15 to 30 seconds. And, make sure your package will stand out with loud colors, images, or anything else that will grab the executive’s attention over any other package. Keep it clean and professional though.
6. Find the appropriate record labels that sell your kind of music. Send your package only to the labels that deal with the type or genre of music that you make. These are the labels that will already have a market of potential fans in place that you can tap into. Go for the independent labels. You will get more response and better results from them than you would a major record company. That is unless you are another Madonna or Michael Jackson of course.
7. A label responds. Contact a&r of that company. Set up an appointment and be prepared for the interview. Do research on that company. Make sure the label has a good reputation. There’s nothing worse than a shady long shark record label that kills an innocent person’s dreams. When you get ready for you’re interview, you have to look the part. Display the image. Leave the right impression. That means if you’re a rock band, dress like one. Don’t show up at the interview in a three-piece suite looking like you’re going to Sunday service.
8. The interview goes well, but don’t stop. It may take a while for them to call you back. Keep in contact with that label while sending packages to other labels. Contact a&r of other companies and set up interviews with them. Make more options available and avoid disappointment.
9. Getting signed. Okay! You’ve found the label that you believe will make you rich and famous. Make sure you know what you are getting yourself into. Read the contract before signing on the line; especially the fine print. A two or three album music record deal may be cool. But, something like a ten album deal may not be a good idea. You’re obligated to record those ten albums which could take a very long time. That may sound sweet now, but you might be stuck in a bad deal for years making less money than you are worth. You should try to get legal representation to advise you during the deal.
10. Signed. AWESOME!! When you finally sign to a good music record deal, you won’t be relaxing yet. Now, the real work is about to start. You have to do promotions on a grander scale now. There will be more performances and interviews. You will have a busy work schedule every single day for the next few months before the record sells and royalties start to kick in. And the record label will want you to do plenty of concerts because that is really where the money is during these times in the music industry. Make sure you know what percentage the label is entitled to from your concerts.
Getting a music record deal is easier said than done. It could take months or even years to get the attention of record labels. I believe 99.9% of us aren’t lucky enough to get a record deal and have overnight success. We have to work long and hard for it. There is an e-book called “The Easy Record Deal: The Ultimate Guide To Getting a Record Deal” that has thorough info on everything you need to know and do in order to get a legitimate record deal. It has contact information for many of the top independent and major labels. It’s something worth checking out. This e-book can show you what are the steps to getting a record deal.
5. Create a promotional Package or press kit. Make a brief, professional looking and very interesting bio about yourself. Write about what your goals are and what you can “bring to the table” of any record label that gives you the opportunity to get a music record deal. Add several pictures with the swagger of your type of music, a few business cards, and a copy of your best singles. Record executives will only listen to each song briefly, so make sure your songs have the potential to impress them during the first 15 to 30 seconds. And, make sure your package will stand out with loud colors, images, or anything else that will grab the executive’s attention over any other package. Keep it clean and professional though.
6. Find the appropriate record labels that sell your kind of music. Send your package only to the labels that deal with the type or genre of music that you make. These are the labels that will already have a market of potential fans in place that you can tap into. Go for the independent labels. You will get more response and better results from them than you would a major record company. That is unless you are another Madonna or Michael Jackson of course.
7. A label responds. Contact a&r of that company. Set up an appointment and be prepared for the interview. Do research on that company. Make sure the label has a good reputation. There’s nothing worse than a shady long shark record label that kills an innocent person’s dreams. When you get ready for you’re interview, you have to look the part. Display the image. Leave the right impression. That means if you’re a rock band, dress like one. Don’t show up at the interview in a three-piece suite looking like you’re going to Sunday service.
8. The interview goes well, but don’t stop. It may take a while for them to call you back. Keep in contact with that label while sending packages to other labels. Contact a&r of other companies and set up interviews with them. Make more options available and avoid disappointment.
9. Getting signed. Okay! You’ve found the label that you believe will make you rich and famous. Make sure you know what you are getting yourself into. Read the contract before signing on the line; especially the fine print. A two or three album music record deal may be cool. But, something like a ten album deal may not be a good idea. You’re obligated to record those ten albums which could take a very long time. That may sound sweet now, but you might be stuck in a bad deal for years making less money than you are worth. You should try to get legal representation to advise you during the deal.
10. Signed. AWESOME!! When you finally sign to a good music record deal, you won’t be relaxing yet. Now, the real work is about to start. You have to do promotions on a grander scale now. There will be more performances and interviews. You will have a busy work schedule every single day for the next few months before the record sells and royalties start to kick in. And the record label will want you to do plenty of concerts because that is really where the money is during these times in the music industry. Make sure you know what percentage the label is entitled to from your concerts.
Getting a music record deal is easier said than done. It could take months or even years to get the attention of record labels. I believe 99.9% of us aren’t lucky enough to get a record deal and have overnight success. We have to work long and hard for it. There is an e-book called “The Easy Record Deal: The Ultimate Guide To Getting a Record Deal” that has thorough info on everything you need to know and do in order to get a legitimate record deal. It has contact information for many of the top independent and major labels. It’s something worth checking out. This e-book can show you what are the steps to getting a record deal.
Thursday, April 16, 2009
Musicians Overcome Your Stagefright
By kevin03
The lights go dim and there is a hush in the room. You hear your name, and your hearts does that familiar big thump. Then you feel it, your heart as it drops down into the depth of your stomach. You take a breath, and remember to exhale, eventually. Its time. You take a step, but can't feel your legs, you urge another step forward and will your funny legs just to hold you up and take you there.
Somehow you make it to the center of the stage. You have to say something, but your mouth is bone dry, your palms slippery and sweaty. You open your mouth and there is a lump in your throat that doesn't seem to want to make the words come out. Sometimes you even feel like crying. Stage fright - you know what I mean.
Causes of Stage fright
Before we look at some of the ways that we can manage stage fright better we will consider what causes it. Stage fright is most commonly an anxiety attack, a reaction to an uncomfortable situation. Other factors may also contribute to these feelings also. Stage fright may be triggered by a release of pent up energy. Performing is an exciting business, and mostly we have to control these feelings.
The good news is that you are not suffering from some strange mental or emotional breakdown when you experience stage fright. In fact, it's a very human response, one of our most basic instincts of survival. "fight or flight" in light that we are a placid people now fighting your audience might not be the best option, so your instinct says "flight", run far far away. Now consider that running might not be the brightest choice either. This is stage fright.
Stage fright may even be the result of a sudden disappearance of confidence and self-esteem.
Tips to overcome stage fright
Allow yourself just one last thought before you go out there and give it your all, a reflection. Pause for a moment and remember why you play anyway. You're there because you love it! You worked your best to master your instrument, your guitar or your voice for the love of it. This is what matters the most.
There is something else that you forgot to remind yourself also, you're good. You're not just good at it, you're great. You have practiced and trained, and know every note. You know the gig, and probably even done it before. Perhaps now you should take a moment to ask yourself to consider the logic in thinking that it is even possible that you should not play well after the work you have given already. When you realize that this really doesn't make any sense you can take the time to congratulate yourself, and head on out there to claim your reward.
When you take the next step it is time to clear your mind and focus on what you are doing. Learning a few relaxation and focus techniques are an ideal method for dealing with this step. More precisely learning these techniques will give you the confidence to know that you can stay focused on the goal of entertaining. Know yourself enough to know that the hardest critique you will ever face is you. An audience will forgive you for being you, that's what they paid their money for. You should do the same for yourself.
Be personal with your audience. If you are going to have a deeply intimate moment, as performing is, you might find that you are more comfortable with just one person. Consider that the audience is one, or a small group of your nearest and dearest. I have been assured that this is an ideal way to approach all performances and even musicians who do not seem to suffer stage fright greatly enhance their performance and audience appreciation. Its one thing to know the songs, but real music is sharing the emotion.
Now pretend you're a superstar. Soon enough, the moment you start to play, you're not pretending anymore because you are a superstar. There might only be 500 people out there in the audience, there might be 5000 or more. It doesn't really matter, you're a superstar to them.
When it's happening to you it feels like you're the only one. But you're not the only one. Many successful accomplished musicians actually face the same fears you do. I have often watch interviews with famous musicians and have always been surprised when one of them confesses to experiencing stage fright. No-one could ever guess it by the way they play or the millions of dollars they make doing it. Always after these interviews I have liked them more than I did before. It's nice to meet them as the person they are and know they have the same vulnerabilities and fears as the rest of us do. Relax and remember why your there. Go out and accept your reward your worth ever moment of it.
Kevin Sinclair is the publisher and editor of musicianhome.com, a site that provides information and articles for musicians at all stages of their development.
The lights go dim and there is a hush in the room. You hear your name, and your hearts does that familiar big thump. Then you feel it, your heart as it drops down into the depth of your stomach. You take a breath, and remember to exhale, eventually. Its time. You take a step, but can't feel your legs, you urge another step forward and will your funny legs just to hold you up and take you there.
Somehow you make it to the center of the stage. You have to say something, but your mouth is bone dry, your palms slippery and sweaty. You open your mouth and there is a lump in your throat that doesn't seem to want to make the words come out. Sometimes you even feel like crying. Stage fright - you know what I mean.
Causes of Stage fright
Before we look at some of the ways that we can manage stage fright better we will consider what causes it. Stage fright is most commonly an anxiety attack, a reaction to an uncomfortable situation. Other factors may also contribute to these feelings also. Stage fright may be triggered by a release of pent up energy. Performing is an exciting business, and mostly we have to control these feelings.
The good news is that you are not suffering from some strange mental or emotional breakdown when you experience stage fright. In fact, it's a very human response, one of our most basic instincts of survival. "fight or flight" in light that we are a placid people now fighting your audience might not be the best option, so your instinct says "flight", run far far away. Now consider that running might not be the brightest choice either. This is stage fright.
Stage fright may even be the result of a sudden disappearance of confidence and self-esteem.
Tips to overcome stage fright
Allow yourself just one last thought before you go out there and give it your all, a reflection. Pause for a moment and remember why you play anyway. You're there because you love it! You worked your best to master your instrument, your guitar or your voice for the love of it. This is what matters the most.
There is something else that you forgot to remind yourself also, you're good. You're not just good at it, you're great. You have practiced and trained, and know every note. You know the gig, and probably even done it before. Perhaps now you should take a moment to ask yourself to consider the logic in thinking that it is even possible that you should not play well after the work you have given already. When you realize that this really doesn't make any sense you can take the time to congratulate yourself, and head on out there to claim your reward.
When you take the next step it is time to clear your mind and focus on what you are doing. Learning a few relaxation and focus techniques are an ideal method for dealing with this step. More precisely learning these techniques will give you the confidence to know that you can stay focused on the goal of entertaining. Know yourself enough to know that the hardest critique you will ever face is you. An audience will forgive you for being you, that's what they paid their money for. You should do the same for yourself.
Be personal with your audience. If you are going to have a deeply intimate moment, as performing is, you might find that you are more comfortable with just one person. Consider that the audience is one, or a small group of your nearest and dearest. I have been assured that this is an ideal way to approach all performances and even musicians who do not seem to suffer stage fright greatly enhance their performance and audience appreciation. Its one thing to know the songs, but real music is sharing the emotion.
Now pretend you're a superstar. Soon enough, the moment you start to play, you're not pretending anymore because you are a superstar. There might only be 500 people out there in the audience, there might be 5000 or more. It doesn't really matter, you're a superstar to them.
When it's happening to you it feels like you're the only one. But you're not the only one. Many successful accomplished musicians actually face the same fears you do. I have often watch interviews with famous musicians and have always been surprised when one of them confesses to experiencing stage fright. No-one could ever guess it by the way they play or the millions of dollars they make doing it. Always after these interviews I have liked them more than I did before. It's nice to meet them as the person they are and know they have the same vulnerabilities and fears as the rest of us do. Relax and remember why your there. Go out and accept your reward your worth ever moment of it.
Kevin Sinclair is the publisher and editor of musicianhome.com, a site that provides information and articles for musicians at all stages of their development.
Wednesday, April 8, 2009
Getting The Elusive Music Record Deal
The odds for the average aspiring recording artist or band to get signed to a good music record deal has become increasingly lower every year. But, it is most likely not your shortcomings as an artist that keeps you from getting signed. You are probably the hottest new act the world has to offer, but the record labels won't immediately know that. They want a full-packaged deal. They would rather see that you have a proven track record of marketability, a desirable image, and volume of record sales. In other words, they want you to do the initial job of promoting yourself before they step in with an offer. It is after all just business to them.
A few factors you have to deal with that makes it hard to get signed is the unpredictable economy and the constantly changing music industry. With the increased popularity of music downloads, less people are buying albums and CDs. This is causing a few record labels to go defunct. They can't afford to sign an artist or band with raw talent and develop that person or band from scratch only to result in the whole project going bust. This is why the record labels are so picky on who they give a record deal to.
There are other alternative methods you can implement to achieving your dreams of being that famous rock star or rapper. More and more artists are bypassing the record deal in favor of the power of the Internet. These artists are selling their own music on the Internet. Even the established artists rely heavily on the world wide web to sell their music via downloads, CDs, and ring-tones.
If you decide to bypass the music record deal, you will probably have significantly less record sells without the support and expertise of a record label, yet you will receive more percentage of the profits. If you have some success with only downloads and ring-tones, you can eliminate the need to manufacture and distribute albums and CDs. You will lose an avenue to make sales in the CD format, but you will have cut down on a large part of your expenses. Of course, you still need to make some promotional CDs to give to the radio stations and clubs.
If you decide to pursue a record deal, you need unwavering dedication and constant practice. You will need a lot of patience. It's going to take some time. You should know what you are getting yourself into. There is no time for playing games while promoting yourself or your band.
Have you ever heard of the term, "The music industry is 90% business and 10% talent"? Well this term is true on many levels of the music industry. You will have to become a businessman (or woman) at the beginning of your music career. You will have to convince people that you or your band are worth listening to.
You should expect constant rejection and ridicule. A lot of people will not take you seriously. Also, there will be some criticism. Don't take it personal. Use the criticism as a way to improve yourself. Improve your strengths and work on your weaknesses whether its your singing, music playing abilities, or stage presence. Remember....practice, practice, and more practice. There can never be enough practice. You have to hone your skills almost "to perfection". This along with perseverance is the key to success.
Record your music so that you can listen to it. Make this a practice recording to analyze your music. Find the mistakes that can be improved. You have to make sure you are ready for the big time. Your music and performance have to be able to "wow" potential fans. Strive to be better than the talent that's currently out. Don't be just like them. Also, your music has to be an "ear catcher" during the first 30 seconds. This is especially necessary when you are presenting your music to the representatives of the record labels.
Once you have your performance down packed, its time for some music production. This time everything has to be perfect. You will be doing an official recording of your music. It is best to do most of the production at home if you, a friend, or someone in your band have a home studio. Doing your recording in a professional studio can be quite expensive so it would help a lot to do your pre-production at home to keep your expenses down. You should play and arrange as many of your tracks as you can at the home studio. You may need to use a professional studio to lay down the vocals and drum tracks if you're using a conventional drum set.
Make sure your songs are professionally mixed and mastered. This is mandatory. The quality of the production may be the difference between you getting signed or your CD being thrown into a pile of junk CDs that will eventually be trashed.
Okay! You have your music productions sounding powerful and crystal clear. Its now time to start the grueling process of doing promotions to make yourself attractive to potential fans and record labels alike. It won't happen overnight, but it will eventually happen with a lot of perseverance. There is an e-zine that reveals tips and secrets that will help you on your endeavor to getting signed. Its called, "EZ Record Deal: The Ultimate Guide to Getting a Record Deal". This is something worth reading to help make your goals a lot easier and possibly quicker. Keep trying. Have fun. And good luck.
A few factors you have to deal with that makes it hard to get signed is the unpredictable economy and the constantly changing music industry. With the increased popularity of music downloads, less people are buying albums and CDs. This is causing a few record labels to go defunct. They can't afford to sign an artist or band with raw talent and develop that person or band from scratch only to result in the whole project going bust. This is why the record labels are so picky on who they give a record deal to.
There are other alternative methods you can implement to achieving your dreams of being that famous rock star or rapper. More and more artists are bypassing the record deal in favor of the power of the Internet. These artists are selling their own music on the Internet. Even the established artists rely heavily on the world wide web to sell their music via downloads, CDs, and ring-tones.
If you decide to bypass the music record deal, you will probably have significantly less record sells without the support and expertise of a record label, yet you will receive more percentage of the profits. If you have some success with only downloads and ring-tones, you can eliminate the need to manufacture and distribute albums and CDs. You will lose an avenue to make sales in the CD format, but you will have cut down on a large part of your expenses. Of course, you still need to make some promotional CDs to give to the radio stations and clubs.
If you decide to pursue a record deal, you need unwavering dedication and constant practice. You will need a lot of patience. It's going to take some time. You should know what you are getting yourself into. There is no time for playing games while promoting yourself or your band.
Have you ever heard of the term, "The music industry is 90% business and 10% talent"? Well this term is true on many levels of the music industry. You will have to become a businessman (or woman) at the beginning of your music career. You will have to convince people that you or your band are worth listening to.
You should expect constant rejection and ridicule. A lot of people will not take you seriously. Also, there will be some criticism. Don't take it personal. Use the criticism as a way to improve yourself. Improve your strengths and work on your weaknesses whether its your singing, music playing abilities, or stage presence. Remember....practice, practice, and more practice. There can never be enough practice. You have to hone your skills almost "to perfection". This along with perseverance is the key to success.
Record your music so that you can listen to it. Make this a practice recording to analyze your music. Find the mistakes that can be improved. You have to make sure you are ready for the big time. Your music and performance have to be able to "wow" potential fans. Strive to be better than the talent that's currently out. Don't be just like them. Also, your music has to be an "ear catcher" during the first 30 seconds. This is especially necessary when you are presenting your music to the representatives of the record labels.
Once you have your performance down packed, its time for some music production. This time everything has to be perfect. You will be doing an official recording of your music. It is best to do most of the production at home if you, a friend, or someone in your band have a home studio. Doing your recording in a professional studio can be quite expensive so it would help a lot to do your pre-production at home to keep your expenses down. You should play and arrange as many of your tracks as you can at the home studio. You may need to use a professional studio to lay down the vocals and drum tracks if you're using a conventional drum set.
Make sure your songs are professionally mixed and mastered. This is mandatory. The quality of the production may be the difference between you getting signed or your CD being thrown into a pile of junk CDs that will eventually be trashed.
Okay! You have your music productions sounding powerful and crystal clear. Its now time to start the grueling process of doing promotions to make yourself attractive to potential fans and record labels alike. It won't happen overnight, but it will eventually happen with a lot of perseverance. There is an e-zine that reveals tips and secrets that will help you on your endeavor to getting signed. Its called, "EZ Record Deal: The Ultimate Guide to Getting a Record Deal". This is something worth reading to help make your goals a lot easier and possibly quicker. Keep trying. Have fun. And good luck.
Tuesday, March 17, 2009
Get a Record Deal by Impressing A&Rs
By: Ty Cohen
So, you want to know how to get a record deal, right? Well, there are two options that you have. Option number one is sit back and wait for it to happen, not recommended. Option two is the one I hope you choose—get out there and get noticed. In the music industry, there are people referred to as A&R and those are the people who you want to grab the attention of.
First, let me give you a little background into A&R. Artist and Repertoire is the part of the record company that is involved in scouting for talent. They are basically the middle man between you and the record label, your first step to getting a record deal. A&R also handles the task of negotiating contracts, scheduling your recording sessions and find people such as songwriters record producers.
Now you know who these guys are and how crucial it is that you meet them in order to get a record deal! The next step is to start promoting yourself and/or your band. You need to try to set up gigs at reputable places or events. Do some research or call around and find out where these guys are known to make an appearance. Some good places to find a list of these reps are The Musicians Atlas, Pollstar Record Company Roster and the A&R Registry. They do charge a fee but it is worth the money.
Another way to grab the attention of these guys is to play them your demo. Your demo has to be great because sometimes they will only listen to the first 15 to 20 seconds of it to see if they are interested. Put your best stuff on there and make sure it is a clean cut recording with immaculate sound quality.
Besides stalking A&R guys, you can simply invite them to your gig. Make sure the performance you invite them to is at a pretty happening place. Don’t invite them to some hole in the wall dump that nobody attends. The whole idea is that you are trying to impress them so you will have a fighting chance at impressing the record company.
I know you want to know how to get a record deal so remember, A&R guys are notoriously tough so make sure you have a specific idea in mind of what you want out of this. Have your “stuff” together before you even think about contacting these guys. Be professional and courteous at all times, even if you are turned down. Do this because you never know when your music may end up in the hands of the same guys at a later date. Also, your music may not work for one record company but you may be referred to another. You just never know what may happen so make sure you have a respectable and professional reputation that precedes you.
About the author:
Ty Cohen, the online music industry's most recognizable voice is the former owner of a successful independent record label, current owner of Platinum Millennium publishing and nation-wide music industry seminar speaker and panelist. He is also the author and creator of over 40 best-selling music business books, reports, courses, audio products and other music industry "How to" resources, that have helped tens of thousands of individuals like you to successfully find their way in the music business. Visit EZRecordDeal.com for more on How to Get a Record Deal.
So, you want to know how to get a record deal, right? Well, there are two options that you have. Option number one is sit back and wait for it to happen, not recommended. Option two is the one I hope you choose—get out there and get noticed. In the music industry, there are people referred to as A&R and those are the people who you want to grab the attention of.
First, let me give you a little background into A&R. Artist and Repertoire is the part of the record company that is involved in scouting for talent. They are basically the middle man between you and the record label, your first step to getting a record deal. A&R also handles the task of negotiating contracts, scheduling your recording sessions and find people such as songwriters record producers.
Now you know who these guys are and how crucial it is that you meet them in order to get a record deal! The next step is to start promoting yourself and/or your band. You need to try to set up gigs at reputable places or events. Do some research or call around and find out where these guys are known to make an appearance. Some good places to find a list of these reps are The Musicians Atlas, Pollstar Record Company Roster and the A&R Registry. They do charge a fee but it is worth the money.
Another way to grab the attention of these guys is to play them your demo. Your demo has to be great because sometimes they will only listen to the first 15 to 20 seconds of it to see if they are interested. Put your best stuff on there and make sure it is a clean cut recording with immaculate sound quality.
Besides stalking A&R guys, you can simply invite them to your gig. Make sure the performance you invite them to is at a pretty happening place. Don’t invite them to some hole in the wall dump that nobody attends. The whole idea is that you are trying to impress them so you will have a fighting chance at impressing the record company.
I know you want to know how to get a record deal so remember, A&R guys are notoriously tough so make sure you have a specific idea in mind of what you want out of this. Have your “stuff” together before you even think about contacting these guys. Be professional and courteous at all times, even if you are turned down. Do this because you never know when your music may end up in the hands of the same guys at a later date. Also, your music may not work for one record company but you may be referred to another. You just never know what may happen so make sure you have a respectable and professional reputation that precedes you.
About the author:
Ty Cohen, the online music industry's most recognizable voice is the former owner of a successful independent record label, current owner of Platinum Millennium publishing and nation-wide music industry seminar speaker and panelist. He is also the author and creator of over 40 best-selling music business books, reports, courses, audio products and other music industry "How to" resources, that have helped tens of thousands of individuals like you to successfully find their way in the music business. Visit EZRecordDeal.com for more on How to Get a Record Deal.
Tuesday, February 24, 2009
How to Achieve Success When you Start and Run Your Own Record Label
By: Michael Goldberg
This article brought to you by Ty Cohen, for more free information on this
subject visit http://www.TheUltimateRecordlabel.com
In the competitive world of music you will need to know how to start and run
your own record label in order to be successful. At first it seems like a
daunting task but with these five steps it will not be so difficult. You will
just need to be patient and persevere to be successful.
Here are five steps to help you begin your business:
Step#1: Choose and register your unique business name. Be sure that nobody
else has it and it is relevant to your business. Plus make sure it is easy to
remember so that you can brand your business. This will also help you in
viral marketing, which is a large part of being successful in the world of
music.
Step#2: To achieve success when you start and run your own record label. You
will need to let people know about you. Advertise in the paper and look for
ads of people needing gigs. At first play for friends and relatives, then
contact local clubs. You can also contact wedding planners and get some work
here. At this stage you will need to be quite versatile and have a variety of
different styles of music on hand. These will begin as one night stands but
over time will develop into longer contracts. Remember your prime target is
to get well known and then to decide which niche will fit you best.
Step#3: To start and run your own record label you will now need to take your
music career a step further As you get better known prepare some songs and
music for distributors. You may need a promotions manager to help you find
distributors and negotiate contracts. You can now start to specialize and
brand your own music. This is the time to find your special brand of music
before you start making albums.
Step#4: marketing is important and this should be done online with a website
as well as offline. You can sell your work globally online and still do live
performances locally.
Step#5: finally when you start and run your own record label, you will expand
your territory. As you get better known you may start touring the country
and even abroad. Just one or two albums can skyrocket you to success. However
never rest on your laurels as your competition is never far behind. It will
not take them long to start butchering your work. Keep one step ahead of them
by protecting your copyrights and writing new, unique works. In this way you
will keep a hold on the market.
About the author:
Visit http://www.TheUltimateRecordlabel.com for more information on start and
run your own record label and other free resources by Ty Cohen, nation-wide
music industry seminar speaker and panelist. He is also the author and
creator of over 40 best-selling music business books, reports, courses, audio
products and other music industry "How to" resources, that have helped tens
of thousands of individuals just like you to successfully find their way in
the music business. Also visit http://www.MusicIndustryCoachingClub.com/
freecdarticles for a free music industry success video, audio CD and report
that reveal the secrets used to sell over 150 Gold & Platinum CDs world wide.
(Value - $49.99)
Author Resource:->
http://www.TheUltimateRecordlabel.com, http://www.SellMusicOnlineLikeCrazy.com, http://www.MusicIndustryCoachingClub.com/freecd
Article From Free Articles - Free Article Submission
This article brought to you by Ty Cohen, for more free information on this
subject visit http://www.TheUltimateRecordlabel.com
In the competitive world of music you will need to know how to start and run
your own record label in order to be successful. At first it seems like a
daunting task but with these five steps it will not be so difficult. You will
just need to be patient and persevere to be successful.
Here are five steps to help you begin your business:
Step#1: Choose and register your unique business name. Be sure that nobody
else has it and it is relevant to your business. Plus make sure it is easy to
remember so that you can brand your business. This will also help you in
viral marketing, which is a large part of being successful in the world of
music.
Step#2: To achieve success when you start and run your own record label. You
will need to let people know about you. Advertise in the paper and look for
ads of people needing gigs. At first play for friends and relatives, then
contact local clubs. You can also contact wedding planners and get some work
here. At this stage you will need to be quite versatile and have a variety of
different styles of music on hand. These will begin as one night stands but
over time will develop into longer contracts. Remember your prime target is
to get well known and then to decide which niche will fit you best.
Step#3: To start and run your own record label you will now need to take your
music career a step further As you get better known prepare some songs and
music for distributors. You may need a promotions manager to help you find
distributors and negotiate contracts. You can now start to specialize and
brand your own music. This is the time to find your special brand of music
before you start making albums.
Step#4: marketing is important and this should be done online with a website
as well as offline. You can sell your work globally online and still do live
performances locally.
Step#5: finally when you start and run your own record label, you will expand
your territory. As you get better known you may start touring the country
and even abroad. Just one or two albums can skyrocket you to success. However
never rest on your laurels as your competition is never far behind. It will
not take them long to start butchering your work. Keep one step ahead of them
by protecting your copyrights and writing new, unique works. In this way you
will keep a hold on the market.
About the author:
Visit http://www.TheUltimateRecordlabel.com for more information on start and
run your own record label and other free resources by Ty Cohen, nation-wide
music industry seminar speaker and panelist. He is also the author and
creator of over 40 best-selling music business books, reports, courses, audio
products and other music industry "How to" resources, that have helped tens
of thousands of individuals just like you to successfully find their way in
the music business. Also visit http://www.MusicIndustryCoachingClub.com/
freecdarticles for a free music industry success video, audio CD and report
that reveal the secrets used to sell over 150 Gold & Platinum CDs world wide.
(Value - $49.99)
Author Resource:->
http://www.TheUltimateRecordlabel.com, http://www.SellMusicOnlineLikeCrazy.com, http://www.MusicIndustryCoachingClub.com/freecd
Article From Free Articles - Free Article Submission
Monday, February 23, 2009
Same Day Music
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SameDayMusic Musical Instruments Guaranteed Same Day Shipment.
Sunday, February 1, 2009
Music Production and Mixing Tips and Tricks
By Ian Waugh Waugh
MyNiceSpace.com
What makes a pro recording pro? What is the "sound" that the pros get and how can you make your recordings sound more professional?
The simple answer is - there's no simple answer. But with careful listening and a little experience you can create excellent results with modest equipment.
Good mixing starts ear
The first and most important item of equipment is - who knows? Anyone? It's your ears! Sorry to tell you this, but listening to ten hours of Rave at 110dB will do nothing for them and you might as well give your mix to a turtle as try to mix with misused ears.
Listen to commercial recordings of mixes you like, analyse them, listen for the effects and get to know what constitutes the sort of sound you're after.
Mixing secrets
There's no hidden secret to getting a good sound, but if we had to sum up the secret of mixing in two words it would be this - EQ and compression. Okay that’s three words.
These are probably the two most important tools used by professional producers. However, like any tools, if you don't know how to use them you'll be carving Habitat tables instead of Chippendale chairs.
That's where your ears and experience come in. Here we have assembled some production ideas, suggestions, tips and tricks but they can only be guidelines and need to be adapted to suit your material. There are no presets you can switch in to make a bad recording sound good. And if your original material has been poorly recorded not even Abbey Road could salvage your mix. But follow these suggestions and see how much your mixes improve.
Get the level right
You can't push the levels when recording digitally as you can when recording to tape but you still want to get as much signal into the system as possible. This means watching the levels very carefully for clipping, and recording at an even and constant level.
Some recording software lets you monitor and set the input level from within. Some expect you to use the soundcard’s mixer while others have no facility for internally adjusting the input level and expect you to set this at source.
Monitors
Your ears are only as good as the monitors they listen to. DO NOT expect to produce a good, pro mix on tiny computer speakers. It may sound fine on a computer system, but try it on a hi fi, in a disco and through a car stereo.
Oddly enough, you don't necessarily need the most expensive Mic. Many top artists use what some might call "average" Mics because they work well and get the job done. You can spend a wad on a large diaphragm capacitor Mic (yes, they're good for vocals) if you have the lolly but check out dynamic Mics which are much more affordable and can be turned to several tasks.
Mixing MIDI and audio
One of the great things about computer-based recording is that the parts can so easily be changed, edited and processed. It's also so easy to combine MIDI and audio tracks and many musicians use a combination of sample loops, MIDI parts and audio recording.
Audio recordings are generally guitar and acoustic instruments such as the sax and vocals. Incidentally, the best way to record guitars is by sticking a Mic in front of its speakers. You can DI them and process them later and this may be cleaner but for a natural guitar sound a Miced amp is hard to beat.
It's not necessary to record drums live and, in fact, it's difficult to do and retain a modern sound. You can buy off-the-shelf MIDI drum riffs and audio drum loops, or program your own. The quality of the gear which makes drum noises these days is such that anyone with a good riff can sound like a pro.
Mixing MIDI
As MIDI and audio parts appear on the same screen in modern sequencers, it's very easy to arrange them into a song. However, when you come to mix everything down there's another consideration. If you are recording to DAT you can simply route the audio and MIDI outputs through a mixer and into the DAT machine.
However, if you want to create a CD you must first convert the MIDI parts to audio data. The entire song can then be mixed to hard disk and burned to CD. Converting MIDI to audio can have another benefit and that's the ability to process the MIDI tracks using digital effects.
Effects
There are three positions for effects known as Master, Send and Insert. Use the Master for effects you want to apply to the entire mix. These will often be EQ, compression and reverb.
Although giving each channel its own Insert effects is kinda neat, each one uses a corresponding amount of CPU power. So if your computer is struggling and if you're using the same effect on more than one channel, make the effect a Send effect and route those channels to it.
Many pieces of software let you apply an effect Pre or Post fader. With Post fader, the amount of sound sent to the effect is controlled by the fader. With Pre fader, the total volume level of the signal is sent. Post fader is the usual default and the one you'll use the most.
EQ
EQ is the most popular and the most over-used effect. Yes, it can be used to try to "fix a mix" but you can't make a silk purse out of a sow's ear as me Gran used to say and what she didn't know about mixing could be written in the margin of the book of honest politicians.
But before you start messing with EQ - or any other effect for that matter - make sure you have a decent set of speakers. Have we said that already? Oh, must be important, then.
There are plug-in effects such as MaxxBass which can psychoacoustically enhance the bass frequencies to make it sound better on smaller speakers. However, this is by no means the same as getting a good bass sound in the first place by observing good recording principles.
EQ can enhance a mix to add gloss, fairy dust, shimmer, sheen, a sweetener or whatever you want to call it to the final production. It can be done with enhancers and spectralisers, too, although these tend to mess with the harmonics which some producers don't like. However, don't dismiss them out of hand.
General EQ lore says that you should cut rather than boost. If a sound is top-heavy, the temptation is to boost the mid and bass ranges. But then what usually happens is you start boosting the upper range to compensate and you simply end up boosting everything and you're back where you started - only louder!
The reason why cutting is preferred is that boosting also boosts the noise in the signal which is not what you want. Try it. Boost every frequency and listen to the result. If you think it sounds okay, fine. What do we know?
But when you're fiddling, do keep an eye on the output meter. Boosting EQ inevitably means increasing the gain and it's so-o-o-o easy to clip the output causing distortion which does not sound good.
Finally, check EQ changes to single tracks while playing back the entire piece. In other words, listen to the tracks in context with all the other tracks. It may sound fine in isolation but some frequencies may overlap onto other tracks making the piece frequency rich in some places and frequency poor in others.
Reverb
Reverb creates space. It gives the impression that a sound was recorded in a hall or canyon instead of the broom cupboard. Recording lore suggests that you record everything dry, with no reverb, so you can experiment with a choice later on. You can't un-reverb a track once it's been recorded.
The more reverb you apply, the further away sound will seem. To make a vocal up-front, use only enough reverb to take away the dryness. Vocals don't want to be mushy (lyrics can be mushy) so use a bright reverb.
A common novice error is to swamp everything with different types of reverb. Don't - it sounds horrible!
Mixing down
You've done all the recordings, done the edits, applied the effects and now it's time to mix everything into a Big Number One Hit! Before you do, go home and have a good night's sleep. Have two. In fact, sleep for a week.
Yes, we know you're hot and raring to go but your ears are tired. They're falling asleep. Listen carefully and you might hear then snore!
There is a phenomenon known as ear fatigue and consistent exposure to sound, especially the same frequencies, makes our ears less responsive to them. Goes back to the bit about spending your life in a Rave club - you'll never be a master producer. If you try to mix after spending a day arranging, your ears will not be as responsive, so do them and your mix a favour by waiting at least a day.
Now, go forth and mix! And don’t forget - you get better with practice. For more information about mixing, pick up a FREE copy of Creating The Perfect Mix at www.making-music.com
***********
Ian Waugh is one of the UK's leading hi tech music writers and creator of www.making-music.com. He has written for most of the major - and not so major - hi tech music magazines in the UK and many general computing titles both offline and online.
His output numbers over 2,000 articles, features and reviews and he has written several books and albums. He is author of the "Quick Guide to..." series which includes the Quick Guide to Dance Music, Digital Audio Recording, MP3 and Digital Music, and Analogue Synthesis.
Article Source: http://www.free-articles-zone.com/
MyNiceSpace.com
Friday, January 30, 2009
Music Software For Today's Generation
By heera hasan
Glitter Graphics - GlitterLive.com
Music is the world recognized language. There are many components which add to the overall sound and feel of a piece of music. As you start learning the music, chords, enharmonic, time signatures, tempo’s, pitches, time duration, major and minor keys are some of the things we come across while composing the music.
Does only Musician can compose songs? Those days have gone. Now any one, even a layman in music can compose songs of his own. With no guide‘s help but just only with the aid of a music composing software, personal computer and creativity any one can compose music. With uniquely designed composing software’s like cake walk, FlexiMusic Composer, music genesis, any one can compose music of their own.
The cake walk software is suitable for people who are much familiar in music composing. It suits best for professionals to create music professionally .There are Cakewalk products available at varying costs. Cakewalk sells many third-party extras to help you make the most of your Cakewalk product, including audio effects, virtual instruments, audio loops, more.
On the other hand the software like FlexiMusic and music genesis is best suited for beginners in composing music.The FlexiMusic Composer is a multi-track program for composing, editing and mixing of music using sampled instrumental sounds. With this comprehend list of musical instruments and their corresponding files you can select any number of instruments to compose a song. Just with one sample of sound, various sounds can be created. Using this software, songs can be edited in three different cycles namely Step cycle, Bar cycle, Single/file voice. The FlexiMusic composer possesses many effects like volume, pan, trim height, echo, equalizer, copy, paste with which a quality song can be composed.
MusicGenesis lets anyone create music on their personal computer. It works by adding randomly-generated notes to a song and letting you decide whether to keep or delete each one. By keeping what you like and deleting what you don't like, you will quickly create a unique piece of music.
If you like music, you'll love the experience of creating songs of your own with ease and creativity. These software not only provides fun but also invites to the eternal world of music.
Article Source: http://www.free-articles-zone.com/article/24787/Music%20Software%20for%20Today’s%20Generation
Ponnuchamy Varatharaj is basically a Mechanical Engineer. He is good in Sound Engineering, Software development. His keen interests are in developing and programming music software.http://www.blogger.com/%3Ca%20href="> http://www.fleximusic.comhttp//www.fleximusic.com%3C/a%3E/%3C/a%3E%3Ca%20target=">
Beginners Guide To Options For A Career In Music
By Sarika Kabra
The growing popularity of music is good news for all music lovers. Who does not want to make a mark in this exciting field? You get lots of recognition, an enviable fan following, a wonderful life with great moolah. All that can be yours if you make a beginning in the field. Remember that even the high class performers had to start modestly and you are only following their foot steps. Keep reading, you can get some ideas.
If you are still a rookie, don’t lose heart. Probably you would have already been through with your music recording by now. Visit your nearest record stores and request the storekeeper to play your albums all day long. Use music production software to add zing to your music. People love musicians who connect with them, who listen to their ideas and who exude positive vibes. So make an appearance in retail stores for the full day. Get exciting leaflets prepared and distribute them. Give special discounts and play their favorite music. Also have your CDs packaged and put them on display. Play them along and invite people to be a part of your story. Believe me you will be able to sell copies to people who would otherwise simply gloss over your CDs in stores.
Have you heard of the term busking? If not don’t worry, as a budding musician, you can do a lot of it for earning good money and building relationships. Busking means playing live music in public places and fairs for tips and donations. A large number of musicians give live performances to build a rapport with their audience and to earn decent money alongside. You can also do it and more. Keep your CDs and albums ready and handy. Play them along during regular breaks through a Discman and personal stereo. You can sell a number of copies and also allow people to hire you and your band in future.
Busking today is a great means of promoting singing and instrument playing. It is preferable to play your own music so that you earn a royalty. Entertain and humor people and they will love it. Act as a disc jockey in between to bring variety to your talents. With your ear for good music, it won’t be a tough proposition at all. Give free CDs to people for playing in their car audio system. Remember free publicity never hurts. It only creates positive notes about your credentials.
Foot tapping music, whether acoustic or lightly amplified, is encouraged by all the major cities in the world. Just check the norms applicable to your city and be a part of the growing tribe of happy buskers. It is a great way to make money and stay connected in festivals and gala events.
Entertainment and fun are two great ingredients of making people happy. Be a showman. Touch people’s hearts with symphony and music strings. Make them love your music with a fine performance and lively attitude.
As an individual music performer, the choice is between reaching out to people and sitting at home. Playing music full time is an option now and it is possible to carve a niche out in the field with your initiative and positive attitude.
The author loves music. You can get some studio equipment and set up your own home recording studio easily. With the help of music software, it is not difficult to make your own music.
Article Source: http://www.free-articles-zone.com/author/5692
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